Bạn thân ở quê mới lên xin ngủ nhờ, thanh niên quyết tâm “thịt” em nó nhưng thực sự quá sai lầm

Con bạn thân “ngọt nước” ở quê mới lên xin ngủ nhờ một đêm, thanh niên quyết tâm “ƫʜịƫ” em nó nhưng khi xong mới ngỡ ra: SAI LẦM. Mới đây một câu chuyện khá “éo le” được chia sẻ trên một nhóm kín facebook nhận được khá nhiều sự quan tâm

Nguyên văn câu chuyện như sau:

THỊT CON BẠN THÂN. SAI LẦM !!!

Chuyện là thế này các thím ạ, hôm qua tầm lúc 9h tối em đang nghe nhạc ngủ thiu thiu thì có tiếng gõ cửa, gõ ầm ầm, nghĩ là mấy đứa con gái xóm trọ trêu nên em bật bài không quan tâm ngủ tiếp, tầm 3 phút tiếng gõ vẫn kêu nên em mới ra mở cửa, đang định cʜửı mấy con ranh hãm thì

Đậр vào mắt em là 2 quả bưởi to đùng, à thì ra là con bạn dưới quê lên chơi, hồi chiều nó gọi cho em bảo cho ngủ nhờ 1 đêm mà em quên мấƫ, giới thiệu sơ qua về con bạn em thì nó ở dưới quê, học xong 12 nó buôn bán ở chợ với ɱą ɱą nó, mà con này tác phong nó thô lỗ lắm, nhất là lúc nó cười trông đıȇɴ đıȇɴ thế nào ấy, cơ mà phải nói được cái hàng họ nó ra trò, ɱôɴġ vếu đầy đủ nên cũng lắm thằng theo phết ạ, nó không nói không rằng (hình như giận em) ủi ủi 2 quả bưởi to đùng vào пɡựс em đi vào phòng làm em suýt ngã, em biết con này lúc giận nó chập chập nên em cũng cười hì hì cho qua, xong đoạn em lên giường nằm ƫгὺɱ chăn vơ cái đıệɴ thoại chơi còn nó thì vào nhà vệ sinh thay đồ (phòng em khép kín) thay đồ xong xuôi nó phót ra đứng nhìn em, mẹ nó chứ cái tướng nó thế mà cao mang bộ đồ lửng vào trông Pʜȇ khiếp

Em lâu lâu chỉ dám nhìn lén qua tí chứ tính em hiền với nhát gái lắm bởi thế nên nó mới xin ngủ nhờ mấy lần, đang nằm ƫгὺɱ chăn lướt fb thì nó kêu dậy

– Nó : Ê mi, làm tí nhể, đoạn nó nháy mắt rồi móc trong cái túi ra cái bao, Em nhỏm cái đầu ra nhìn nó, lúc đó biết rõ ý đồ của nó như mọi lần, phát sợ rồi nên nói tránh

– Em: Thôi, tau mai phải dậy đi làm sớm ( chỗ em hay kêu nhau bằng tau với mi nghe gần gũi hơn), Nó nghe xong mặt có vẻ thất vọng, nhưng 1 tí lại tỏ mặt khinh thường em, nó bảo

– Nó : Mi có phải đàn ông không đó, sợ gì à? vừa nói nó vừa nhìn đểu em, đoạn nó lấy tay tháo từng nút thắt ra đến lúc em chỉ thấy 1 đám lông luôn các thím ạ

– Em : Ngon, tau sợ mi chắc, nhưng lông nhiều quá, мấƫ vệ sinh lắm, có cái ďą0 cạo lông đó vô nhà vệ sinh cạo bớt đi, em ra vẻ nghiêm túc.
Nó có vẻ hứng thú cầm ďą0 cạo lông nhảy vô nhà vệ sinh nhanh lắm, 1 lúc sau nó đi ra hí hửng,

– Nó : Thế này ngon rồi chứ?, Em cũng nhìn qua qua thấy cũng sạch sẽ nên trả lời

– Em : Ừ thế giờ muốn làm kiểu gì?,  Nó : thì luộc lên rồi chấm chứ sao nữa, ƫʜịƫ lợn quê đấy, đảm bảo ngon

Thế là giữa đêm 2 đứa ngồi hí húi luộc ƫʜịƫ heo ăn, xong rồi ăn thêm mấy múi bưởi quê nó đem lên nữa, bưởi ngọt lắm ạ, chuyện sẽ chẳng có gì nhưng hôm qua đến giờ đau bụng quá các thím ạ, đau bụng nhưng vẫn chịu khó lên viết mấy dòng cho ae trên này rút kinh nghiệm không nên ăn ƫʜịƫ heo luộc với ăn đồ ngọt nữa đêm nhé, dễ bị đau bụng lắm.

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Cake Pop Finger Family with Surprise eggs | Nursery Rhymes Songs For Kids

Cake Pop Finger Family with Surprise eggs | Nursery Rhymes Songs For Kids: Cake Pop Finger Family with Surprise eggs | Nursery Rhymes Songs For Kids
►Beat Finger Family Playlist: https://goo.gl/gpQYXy
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https://www.youtube.com/watch?v=HQ1jn0K_Ayg

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That ‘Deadpool 2’ Teaser Had Some Great Easter Eggs And May Have Revealed The Villain

That ‘Deadpool 2’ Teaser Had Some Great Easter Eggs And May Have Revealed The Villain

VIA FOX

On Wednesday, Deadpool declared his love of cocaine and channeled Bob Ross to debut the first footage from Deadpool 2. The back half of that teaser was chock-full of Easter eggs and references, and it may have even revealed the film’s villain (more on that in a moment). 

Did you pay close attention to the end credits on the teaser? Fox loves jamming funny stuff into end credits, and these listed an amazing crew including Dalton on security (a Road House reference), lead singer “Jerrika” Benton (as in Jerrica Benton of Jem and the Holograms), Wayne Campbell as both camera operators (a reference to Mike Myers’ “camera 1, camera 2” jokes in the Wayne’s World sketches and movies), Tom Edison on lighting, “Ted E. Ruxpinn” (Teddy Ruxpin) on audio, along with heavy hitters like Geordi Leforge (Star Trek: The Next Generation) and Blanche Devereaux (Golden Girls) because you should never underestimate their dedication to adding Golden Girls references. 

As for the villain, did you catch this painted figure that surprised Deadpool right before the movie footage started?

This could be teasing the villain being played by Jack Kesy. The figure’s eyes are black, not white, so it isn’t a painting of Deadpool. Kesy’s character has previously been referred to as “Black Bob,” which some took as a reference to Black Tom Cassidy, the brother of the X-Men’s Banshee. On the other hand, Screen Rant interprets this to mean the main villain is Nathan Essex / Mister Sinister, manipulating Deadpool’s mind to make him paint a portrait of the genetically-enhanced telepath. Sinister has a somewhat similar appearance as Black Tom Cassidy, and Sinister had a hand in creating Cable (Josh Brolin).

It was Sinister who schemed to clone Jean Grey following her ‘death’ and the Phoenix Saga in hopes of mating her with Cyclops, thereby creating a superior mutant to raise as his own superweapon. Long story short, the plan worked: the child was flung into the future to become the techno-organic powerhouse known as Cable, eventually tasked with defeating Sinister’s second master plan… Cable’s genetic clone, Stryfe.

Those family reunions are awkward. (Via Screen Rant)

source: http://uproxx.com/hitfix/deadpool-2-teaser-easter-eggs-villain/2/

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Lil Peep Dies at 21: Report

Lil Peep Dies at 21: Report

11/16/2017 by Lars Brandle

Edward Berthelot/Getty Images

Lil Peep attends the Balmain Menswear Spring/Summer 2018 show as part of Paris Fashion Week on June 24, 2017 in Paris, France.

Lil Peep, an emerging singer, rapper and YouTube star whose debut full-length album dropped in recent months, has died according to multiple reports.

The Long Beach, New York-raised emo/hip-hop artist (real name Gustav Åhr) was just 21 years of age. Reasons for his passing have not been revealed, though British broadsheet The Guardian cites a suspected overdose.

Peep’s manager Chase Ortega broke the bad news. “I’ve been expecting this call for a year. Mother fuck,” he tweeted.

Lil Peep had a promising career in front of him. His star had been on the rise since 2015 via a series of Soundcloud tracks, EPs and mixtapes, and he enjoyed full traction through his YouTube channel where his videos to "Awful Things," "Benz Truck," "The Brightside" and others clocked up multiple millions of views As the buzz built, Peep signed with agent Cara Lewis and enthusiastic features followed in Fader, Noisey and Pitchfork, which declared him as "the future of emo". In an extensive three-part profile, Medium wrote, "it's obvious Peep is going to blow up."

All the while, the conversation rumbled on about whether he was a rapper or a singer. Was he hip-hop or emo? Peep showcased all those skills on his debut album, Come Over When You’re Sober, which dropped on Sept. 1. The Peep army was a growing one, as fans tuned in en masse for his refreshing candor about his battles with depression, heartbreak, drug use and his sexuality.

A slew of recorded artists paid tribute to the young performer, from Post Malone to Marshmello, Rich Chigga and many more. "Peep was the nicest person. Hanging out with him, talking to him about music, the song ideas we were going to do together and touring was so amazing," tweeted Marshmello. "Everyone will miss you man." Billboard has reached out to reps for Lil Peep. More to come.

source: http://www.billboard.com/articles/news/obituary/8038492/lil-peep-obit

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Chinua Achebe: Why the Nigerian author is one of the world's most important modern writers

Chinua Achebe: Why the Nigerian author is one of the world's most important modern writers
'Things Fall Apart' author recognised in Google Doodle

Chinua Achebe as featured in his Google Doodle. He is considered by many to be the father of modern African literature Google

The late Nigerian author Chinua Achebe has been honoured in a Google Doodle, underscoring his status as a towering figure of 20th century literature. By creating a doodle marking what would have been Achebe’s 87th birthday, the tech giant is celebrating a writer many consider to be father of modern African literature. Writing amid a post-colonial movement that saw African nations cast off decades of foreign rule and seek political sovereignty, Mr Achebe lent a voice to a generation of Africans who refused to be defined solely through the lenses of European thought. Part of that work involved telling distinctly African stories from the perspective of African characters, helping to forge a literature that — like newly created countries — was independent from Europe.

Mr Achebe did so across dozens of novels and books of poetry and essays, leading many to refer to him as “the father of modern African literature”. He died in March of 2013 at the age of 82, having collected accolades that included the Man Booker International Prize. His oeuvre stood in deliberate opposition to works of European literature that cast Africa as a setting and its people as bit players in the central affairs of Western characters. He denounced novelist Joseph Conrad as a “bloody racist” and called Mr Conrad’s novel “Heart of Darkness”, in which a European explorer plunges into a threatening and unfathomable Africa, as “a totally deplorable book”. In contrast to European works that allowed Africans only minor or one-dimensional roles, Mr Achebe wrote novels that showed Nigerians as complex characters endowed with agency.

His best-known work, “Things Fall Apart,” remains a staple of school curricula. It tells the story of Okonkwo, the proud leader of his village. The novel depicts the complex customs of the Igbo people, one of multiple ethnic groups in Nigeria with a distinct culture and language. The book portrays how Okonkwo’s world is upended by the appearance of Christian missionaries, and its closing paragraph — written from the perspective of a recently arrived colonial leader — functions as a haunting allusion to how European observers reduce and dismiss complex African cultures: “He had already chosen the title of the book, after much thought: The Pacification of the Primitive Tribes of the Lower Niger.”

source: http://www.independent.co.uk/arts-entertainment/books/news/chinua-achebe-who-was-he-nigeria-writer-novels-everything-falls-apart-google-doodle-birthday-a8057581.html

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After historic domination of Lakers, Joel Embiid is now the king of Los Angeles

source: https://sports.yahoo.com/joel-embiid-becomes-king-los-angeles-historic-domination-lakers-071331636.html

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iphone x review - Apple iPhone X 256GB

iphone x review - Apple iPhone X 256GB

I'm a total gadget nerd, and it's been five years since a new smartphone made me nod to myself with the understanding that, "Yes, I need that thing more than I need air." But the buzz around the iPhone X has had me a little more hyped than usual.

Not just because the iPhone finally ditched the bezels and got an OLED display -- Samsung's Galaxy S8 lost its bezels in March -- but because the iPhone X is the line's first significant overhaul since the iPhone 4. I should know better than to fall for the hype, but after spending nearly a week with the device, I've actually convinced myself that spending $1579 on a phone seems like a good idea. If you hate me for saying that, that's OK, I hate me too.

The display is clearly the first thing you notice, and if not for the famed notch, it would merely be as impressive as a Samsung Galaxy S8 or Note8. The colours aren't as vibrant as what you'll find on a Samsung phone -- Samsung phones tend to oversaturate the colours, but as someone who prefers accuracy over eye-bleeding pop, I really like how naturally the iPhone renders colours.

But let me just say: I love the distinctive notch. Some consider it an eyesore, but for me, that notch screams the phone's ostentation in a deeply satisfying way. It gives the whole 5.8-inch display a sense of space that simply isn't found on competing phones. In fact, its display is actually larger than the 5.5-inch screen on the physically larger iPhone 8 Plus. When screen curves around the front camera module, it feels a little like Apple has somehow cheated and rewarded the phone with more visual real estate than it deserves.

At least while you're on the home screen or in apps specifically updated to work with the iPhone X's unique display. In other apps, the iPhone X feels a little small, with the a black band at the top and bottom of the display confining what was once expansive feeling.

The big display doesn't dramatically affect battery life too much. I never found myself wanting more power throughout the day, and I even went into day two with regular use. In our battery rundown test, in which we stream a YouTube video over Wi-Fi until the phone dies, the iPhone X managed a little less than 10 hours, which is perfectly average battery life when compared to all the phones Gizmodo's tested this year, and thanks to its ability to charge quickly and wirelessly, it's never an issue to re-juice it.

What surprised me most about the phone is how I don't miss Touch ID or the home button. Since the first rumours cropped up that Touch ID might not make it to Apple's 10th anniversary iPhone, I've obsessed over the shift from Touch ID. How could they possibly do it! It became a reality, and like many, I was frankly aghast that the technology would be forever replaced by Face ID. Instead of pressing your finger to a home button, you now glance at the phone and quickly swipe up with your thumb.

Over the last few days, I've spent hours fiddling with the front-facing "TrueDepth" setup that makes the Face ID magic possible. It's by far the most technologically innovative aspectof the phone. It uses a combination of a camera, IR lasers, and IR scanner to create a 3D map of your face. The camera allows you create animoji, and gives apps like Snapchat access to your facial map so they can toss realistic-looking masks on your face.

But the killer feature is obviously Face ID. I look at the phone, and it opens instantly. From there it works like an even fancier version of Touch ID. When I went to sign into Twitter, it recognised my face and logged me in. When I ordered a midnight burger off Seamless, and used Apple Pay, it scanned my face before asking me to press the power button to confirm.

While at first there were some hiccups, the TrueDepth camera has learned my face since I picked the phone up from Apple on Monday. And now it doesn't hesitate when I try to use it in the dark, or while wearing sludgey makeup, or huddled on a bench at the dog park in the morning with my hoody pulled down low. This camera gets me, and I don't even have to hold it up directly in front of my face, as long as the camera is pointed in my face's direction, and I'm looking at it, the phone will open.

The rear cameras can't do anything that cool. They're still very nice, as but if you're trying to decide between the iPhone 8 or 8 Plus or the iPhone X, it won't be the rear cameras that sway you.

The reason you buy the iPhone X is because of that too luxurious design, and that audaciously hedonistic display, and that super cool depth-sensing selfie camera. This phone isn't remaking the way we think about phones in as grand a manner as the original iPhone, or even the iPhone 4. While Face ID could be the future of biometric tech on phones, that future won't shift your world view as dramatically as the move from passcode to biometrics in the first place. The iPhone X isn't a leap into a new world of phone design, it's just a showcase for what a really expensive luxury phone should look and feel like. I don't need the $1579 iPhone X, but after the last few days with it, boy do I want to go buy one.

Source: https://kyquang88.blogspot.com/

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